Abdelhadi Belkhayat is an singer and actor born in 1940 in Fez Morocco. He left his hometown to settle in very Casablanca. The hearing in the Moroccan radio , grows rapidly in front of the stage , then dominated by Mohamed Fouiteh , Maâti Belkacem and Brahim El Alami . He managed to impose his style with his warm voice and melodies of Eastern influences . Represents the new generation Latifa Amal Mohamed Abdelwahab Doukkali Hayani . A generation fascinated by Egypt and Oum Kalthoum , Farid El Atrache , Abdel Halim Hafez and others. This country has been welcomed with open arms Lebanese Sabah, Warda Al Jazairia and many others. Belkhayat he decides to conquer the land of the Pharaohs , in the hope of finding a place in the sun . Abdelhadi Belkhayat enrolled at the Conservatory of Arabic music in Cairo and put in some way in this jungle dominated by some authors and composers. But this is the great disappointment awaits. The dilemma is singing in Egyptian or return empty-handed. He chose the second option. Three years (1965 and 1967) were allowed there a way to make themselves known to the Egyptian public . Many Egyptians still remember passing and regret that it is not blocked. Belkhayat , has not looked back accumulated success and glory retaining its original style. Not only is the favorite of a generation of Moroccans, but quickly became a star in Algeria and Tunisia and then in Libya. In 1973 , concert at the Olympia in Paris will bring more people on the sidewalk in the room for lack of space. Silence, No Entry (1973) and where the sun goes down : At the same time , a film career with two functions offered by the Moroccan Abdellah manage Mesbahi looking for? (1979 ) where she starred opposite Doukkali Abdelwahab . This film , shot entirely in Cairo , remained unpublished in Morocco. Meanwhile, multiplies collaborations with artists such as Ahmed El Tayeb ALJ , Abderrafii Jaouahiri and his favorite composer who knew Abdeslam Amer disseminate classic , providing an elegant and romantic touch side . The Qamar el Ahmar , q'dim Fi Qalbi jarh , Aouni nensak are classic and now part of the collective heritage Moroccan . Belkhayat strong voice has the advantage of adapting to different musical genres ; You can pass without difficulty qassîda maximum Mohammed Abdelwahab most popular melodies Houcine Slaoui . The success will continue until the end of 1980, where he began a period of mysticism and is dedicated exclusively to the recitations of the Quran. He retired in Casablanca mosque imam done for some years. His fans , meanwhile, continue to repeat the refrain of his REMOVE El Hayat , his last real success , considering it as the ' last living legend of Morocco and Nass El Ghiwane or Jil Jilala . Born in 1940 in Fez, Zougari Belkhayat Abdelhadi El Idrissi said, he left his hometown soon settle in Casablanca. The hearing on the radio, via Brihi rapid growth in the front of the stage, then dominated by Mohamed Fouiteh , Maâti Belkacem , Brahim Alami . He managed to impose his style with his warm voice and melodies of Eastern influences . Represents the new generation Latifa Amal Mohamed Abdelwahab Doukkali Hayani . A generation fascinated by Egypt and Oum Kalthoum , Farid El Atrash , Abdel Halim Hafez and others. The country received with open arms Lebanese Sabah, Warda El Jazaereya and many others. Belkhayat he decides to conquer the land of the Pharaohs , in the hope of finding a place in the sun . Abdelhadi Belkhayat enrolled at the Conservatory of Arabic music in Cairo and put in some way in this jungle dominated by some authors and composers. But this is the great disappointment awaits. The dilemma is singing in Egyptian or return empty-handed. He chose the second option. Three years (1965 and 1967) were allowed there a way to make themselves known to the Egyptian public . Many Egyptians still remember passing and regret that it is not blocked. Belkhayat , has not looked back accumulated success and glory retaining its original style. Not only is the favorite of a generation of Moroccans, but quickly became a star in Algeria and Tunisia and then in Libya. In 1973 , concert at the Olympia in Paris will bring more people on the sidewalk in the room for lack of space. At the same time , a film career with two functions offered by the Moroccan Abdellah manage Mesbahi , "which means forbidden Silence" (1973) and "Where the sun skin ? " (1979 ) where she starred opposite attempts Abdelwahab Doukkali . This film , shot entirely in Cairo , remained unpublished in Morocco. Meanwhile, collaborations with artists such as Ahmed Tayeb Elalj , Abderrafii Jaouahiri and his favorite composer who knew Abdeslam Amer disseminate classic , providing an elegant and romantic touch multiplies side . The Qamar el Ahmar , q'dim Fi Qalbi jarh , Aouni nensak are classic and now part of the collective heritage Moroccan . Belkhayat strong voice has the advantage of adapting to different musical genres ; You can pass without difficulty qassîda maximum Mohammed Abdelwahab most popular melodies Hocine Slaoui . The success will continue until the end of the '80s , where he began a period of mysticism and is dedicated exclusively to the recitations of the Quran. He retired in Casablanca mosque imam done for some years. His fans , meanwhile, continue to repeat the refrain of his Qitar El Hayat , his last real success , considering it as the ' last living legend of Morocco and Nass El Giwane or Jil Jilala . In 2000 , Abdelhadi Belkhayat decided not to stop and take the song to always satisfy a public candidate . He promises an album next year , but also a great tour of the cities of the kingdom.
 

Abdelhadi Belkhayat

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